The session opens with the laid-back and lyrical Naima, first heard on his debut album for Atlantic Records in 1959, Giant Steps, with the rhythm section of the Miles Davis Quintet which he would leave the next year - pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb - replaced by that of his own "Classic Quartet", pianist McCoy Tuner, bassist Jimmy Garrison and drummer Elvin Jones.
Most of the tracks are shorter and blusier than the ballad which both the session and the film begins with, in contrast to the longer and freer compositions on his next Impulse album, the religiously inspired A Love Supreme.
With Thelonious Monk's score for the 1959 French film Les Liasions Dangereuses being rediscovered a few years ago, it makes you wonder what other jazz gems are yet to be unearthed in the archives.
I must give this a try. So far, I'm afraid, I remain unmoved by most of the Coltrane I've heard, although his 'Ballads' and 'Standards'albums are quite pleasant. Everything I've heard after 'A Love Supreme' strikes me as horrible. Can I be re-educated?
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