It's not often that you get to buy a new album by Thelonious Monk, the jazz pioneer who pretty much invented bebop piano at Minton's Playhouse in uptown Manhattan in the early 40's, but this week I did with a double CD of the recordings he made for the soundtrack of a 1960 French film, Les Liasions Dangereuses.
Although based on the 1782 novel of the same name, the film is set amongst a bourgeois family in contemporary France. Some of the music from it, including material by Art Blakey's Jazz Messengers, was released as an album at the time, but Monk's contributions lay in the record company vaults until they were rediscovered in 2014.
The sound on the album is as sharp and as fresh as the day it was put onto tape in a studio on the West Side of Manahattan in the summer of 1959. Although Monk is playing music he'd played many times before, rather than newly-composed material, there's less of the angularity and atonality which you normally associate with his playing, and which first drew me to it twenty or so years ago, more swing and lyricism, a romantic feeling even, no doubt appropriate to the theme of the film (some of the alternate and unedited takes which make up the second disc of the album are in a noticeably faster tempo than the ones which ended up being used in the film). Monk also shares frontline duties almost equally with the rest of his quintet, especially the tenor saxophonists Charlie Rouse and Barney Wilen.
The album includes a booklet with black and white and colour photos from the session featuring Monk himself in a fetching hat, his wife Nellie and patron Pannonica Rothschild, as well as extensive liner notes. My favourite are from the English, indeed Mancunian, jazz pianist and critic Brian Priestley who recalls seeing the film while living in Paris as a student in the early 60's, and even hearing a couple of Monk's musical contributions to it which were released as singles in France on jukeboxes in bars and cafes there.
Showing posts with label France. Show all posts
Showing posts with label France. Show all posts
Thursday, 29 June 2017
Tuesday, 24 May 2016
French past imperfect
I've been reading a lot about French politics in the nineteenth and early twentieth century recently.
As well as The French Right Between the Wars, I've gone back to the beginning of Émile Zola's Rougon-Maquart series of novels about the French Second Empire of Napoleon III (1852-70), having unknowingly jumped into the middle of it as a teenager and read a couple of the later ones since. The first novel in the series, The Fortune of the Rougons, is about Napoleon III's coup d'état in December 1851 which led to the proclamation of the Second Empire a year later.
The thing to get your head round about French politics is that as well as the left-right spectrum, political parties are (or at least were) divided by their attitude to the monarchy and the Church, so there were liberal monarchists (like the Orléanists, supporters of the Duc d'Orléans from the junior, cadet branch of the French royal house who wanted a constitutional monarchy), conservative ones (Legitimist followers of the Bourbons, and later Bonapartist followers of Napoleon III), and conservative republicans, both clericalist (Fédération républicaine) and secular (Alliance démocratique).
I'm wondering whether I should brush up my schoolboy French and read some of these books in the original...
As well as The French Right Between the Wars, I've gone back to the beginning of Émile Zola's Rougon-Maquart series of novels about the French Second Empire of Napoleon III (1852-70), having unknowingly jumped into the middle of it as a teenager and read a couple of the later ones since. The first novel in the series, The Fortune of the Rougons, is about Napoleon III's coup d'état in December 1851 which led to the proclamation of the Second Empire a year later.
The thing to get your head round about French politics is that as well as the left-right spectrum, political parties are (or at least were) divided by their attitude to the monarchy and the Church, so there were liberal monarchists (like the Orléanists, supporters of the Duc d'Orléans from the junior, cadet branch of the French royal house who wanted a constitutional monarchy), conservative ones (Legitimist followers of the Bourbons, and later Bonapartist followers of Napoleon III), and conservative republicans, both clericalist (Fédération républicaine) and secular (Alliance démocratique).
I'm wondering whether I should brush up my schoolboy French and read some of these books in the original...
Sunday, 22 November 2015
Zola on the radio
I listened to the first episode of a new dramatisation of the Rougon-Macquart novels by the French writer Emile Zola on Radio 4 yesterday.
I've read a few of the novels in the series, subtitled "Natural and social history of a family under the Second Empire": Germinal, about a miners' strike in Northern France, La Terre, about life in the countryside outside Paris, La Bête Humaine, a psychological thriller about a homicidal railwayman, and Nana, about a prostitute/actress. The overall idea is to use the novel as a sort of science lab in which the effects of heredity and environment on human behaviour can be studied.
Glenda Jackson is convincing as Tante Dide, the matriarch of the extended Rougon-Macquart clan who narrates it, and the whole thing moves along at a smart pace. It seems to be fairly loosely translated from the text: a woman who in 1852 goes off to join Republican rebels fighting the National Army, after Napoleon III has overthrown the Second Republic proclaimed in 1848 in a coup d'état, exclaims on seeing her new comrades for the first time "Cool!". I'm pretty sure that's not a line lifted from Zola.
Overall though, it's a enjoyable, and accessible, way of experiencing the novels and I'm looking forward to listening to the rest of the series,
I've read a few of the novels in the series, subtitled "Natural and social history of a family under the Second Empire": Germinal, about a miners' strike in Northern France, La Terre, about life in the countryside outside Paris, La Bête Humaine, a psychological thriller about a homicidal railwayman, and Nana, about a prostitute/actress. The overall idea is to use the novel as a sort of science lab in which the effects of heredity and environment on human behaviour can be studied.
Glenda Jackson is convincing as Tante Dide, the matriarch of the extended Rougon-Macquart clan who narrates it, and the whole thing moves along at a smart pace. It seems to be fairly loosely translated from the text: a woman who in 1852 goes off to join Republican rebels fighting the National Army, after Napoleon III has overthrown the Second Republic proclaimed in 1848 in a coup d'état, exclaims on seeing her new comrades for the first time "Cool!". I'm pretty sure that's not a line lifted from Zola.
Overall though, it's a enjoyable, and accessible, way of experiencing the novels and I'm looking forward to listening to the rest of the series,
Wednesday, 31 July 2013
Spaten and The Sorrow and the Pity
I've just been watching The Sorrow and the Pity, Marcel Ophuls' 1969 documentary about the occupation of the French town of Clermont-Ferrand in World War II.
I'm sure I'm not the only person who first heard about The Sorrow and the Pity through Woody Allen's Annie Hall. I watched the two-part film about Allen the BBC showed last week which prompted me to watch Annie Hall and then The Sorrow and the Pity again. It's a wonderful documentary with Ophuls making French collaborators squirm and talking to two left-wing brothers, ex-Resistance fighters who spent the last months of the war in Buchenwald concentration camp, on their farm in the Auvergne. One of my favourite bits is where they go in the cellar to draw a glass of wine from a barrel and Ophuls asks them "Is it red?" and one of them shoots back "Yes, like me".
The bit that jumped out at me this time though is where he's interviewing a German soldier who was stationed in Clermont-Ferrand during the war. He's in the pub having a beer and draws a map on a beermat with the Spaten logo on it (he also talks about "here in Bavaria"). I could be wrong but I think it might be Braüstüberl Zum Spaten, the brewery tap in Munich where I had half a litre of their fairly bland Helles the first night I was there a couple of years ago.
I'm sure I'm not the only person who first heard about The Sorrow and the Pity through Woody Allen's Annie Hall. I watched the two-part film about Allen the BBC showed last week which prompted me to watch Annie Hall and then The Sorrow and the Pity again. It's a wonderful documentary with Ophuls making French collaborators squirm and talking to two left-wing brothers, ex-Resistance fighters who spent the last months of the war in Buchenwald concentration camp, on their farm in the Auvergne. One of my favourite bits is where they go in the cellar to draw a glass of wine from a barrel and Ophuls asks them "Is it red?" and one of them shoots back "Yes, like me".
The bit that jumped out at me this time though is where he's interviewing a German soldier who was stationed in Clermont-Ferrand during the war. He's in the pub having a beer and draws a map on a beermat with the Spaten logo on it (he also talks about "here in Bavaria"). I could be wrong but I think it might be Braüstüberl Zum Spaten, the brewery tap in Munich where I had half a litre of their fairly bland Helles the first night I was there a couple of years ago.
Saturday, 16 February 2013
Horsey, horsey – when will it stop?
Like a riderless mount in the Grand National, the so-called horse meat scandal just keeps running and running. The food industry has been pumping products full of fat, sugar and salt for decades, leading to hundreds of thousands of premature deaths from heart disease, but the moment they add a bit of harmless horse meat to burgers the media is suddenly up in arms demanding that the Government DO SOMETHING NOW.
In 1855 in Paris, a hundred and thirty-two people, among them the novelist Gustave Flaubert, sat down to a banquet which included horse soup, sausages and roast horse and fillet of horse with mushrooms, accompanied by potatoes fried in horse fat. The event is credited with sparking the French enthusiasm for horse dishes that continues to this day.
I'd have no problem eating horse meat, and as a customer of Burger King I probably already have.
In 1855 in Paris, a hundred and thirty-two people, among them the novelist Gustave Flaubert, sat down to a banquet which included horse soup, sausages and roast horse and fillet of horse with mushrooms, accompanied by potatoes fried in horse fat. The event is credited with sparking the French enthusiasm for horse dishes that continues to this day.
I'd have no problem eating horse meat, and as a customer of Burger King I probably already have.
Wednesday, 5 December 2012
Franco-Belgian beer war
I've written before about the French's government tax hike on beer (although apparently duty on beer will still be lower than in the UK). The 160 per cent rise now seems to have sparked a diplomatic stand-off between France and Belgium.
According to today's Guardian, the Belgian prime minister was rebuffed when he raised the matter with the French president and Belgium is now planning to increase duty on French wine.
Michael Jackson in his 1977 World Guide to Beer talks about the line running through Europe between beer and wine countries. The Franco-Belgian border now seems to be the main confrontation point on that line.
Surely the main effect of tit-for-tat tax increases on Belgian beer and French wine will be consumers on either side of the border crossing it on shopping and drinking trips.
According to today's Guardian, the Belgian prime minister was rebuffed when he raised the matter with the French president and Belgium is now planning to increase duty on French wine.
Michael Jackson in his 1977 World Guide to Beer talks about the line running through Europe between beer and wine countries. The Franco-Belgian border now seems to be the main confrontation point on that line.
Surely the main effect of tit-for-tat tax increases on Belgian beer and French wine will be consumers on either side of the border crossing it on shopping and drinking trips.
Wednesday, 31 October 2012
Sacre bleu!
French drinkers must be spluttering into their Kronenbourg this morning after the government there announced a 160 per cent tax hike on beer, increasing prices in bars and supermarkets by 15-20 per cent.
I suppose the French government thinks it can get away with dipping into drinkers' pockets as beer represents a much smaller proportion of the overall alcohol market than in Belgium, England, Germany or the Czech Republic. If they tried the same thing with wine, I suspect that growers and drinkers would unite and re-run 1789 in the streets of Paris, a bit like the Germans did in the Bavarian beer riots of 1844 that Friedrich Engels wrote about for the Chartist newspaper The Northern Star.
I suppose the French government thinks it can get away with dipping into drinkers' pockets as beer represents a much smaller proportion of the overall alcohol market than in Belgium, England, Germany or the Czech Republic. If they tried the same thing with wine, I suspect that growers and drinkers would unite and re-run 1789 in the streets of Paris, a bit like the Germans did in the Bavarian beer riots of 1844 that Friedrich Engels wrote about for the Chartist newspaper The Northern Star.
Tuesday, 16 October 2012
The Black Jacobins
I'm reading The Black Jacobins by CLR James at the moment, his account of the 1791 slave revolt in the French Caribbean colony of San Domingo that led to the independent republic of Haiti.
James began writing The Black Jacobins in 1932 when he was living in Nelson in Lancashire and working as a cricket correspondent for the Manchester Guardian. It was published in 1938, just before he went to the United States.
What stands out in The Black Jacobins is James' command of the contemporary sources. He spent six months in France delving into the archives, including the correspondence between the French revolutionary government and Toussaint L'Ouverture, the ex-slave who led the Africans on the plantations to freedom and became the first consul of these black Jacobins.
San Domingo in the 1790's was a fascinating society. James manages to integrate the interlinking three-sided struggles that shaped the Haitian Revolution: in San Domingo itself, between the whites, the mixed-race "free people of colour" and the black slaves and between the "big white" planters and merchants, the "small white" artisans and the aristocratic colonial bureaucracy that ruled over both; in France similarly, between the King and his ministers, the republican bourgeoisie and the revolutionary sans culottes and between the Left, Right and Centre in the Constituent Assembly; internationally between Britain, France and Spain who each sought control of the island and between the royalist aristocracy and republican bourgeoise in France and the San Domingo colonists who - like the American colonists of Britain - wanted independence from France to escape the exclusive trade imposed on them by the former and the debts they owed to the latter.
Toussaint L'Ouverture died in prison in France in 1803, having been captured by a Napoleonic army that tried and failed to re-establish slavery in San Domingo. William Wordsworth, an early sympathiser of the French Revolution, wrote these lines in his poem To Toussaint L'Ouverture:
"Toussaint, the most unhappy of men!
Whether the whistling Rustic tend his plough
Within thy hearing, or thy head be now
Pillowed in some deep dungeon's earless den; -
O miserable Chieftain! where and when
Wilt thou find patience? Yet die not; do thou
Wear rather in thy bonds a cheerful brow:
Though fallen thyself, never to rise again,
Live, and take comfort. Thou hast left behind
Powers that will work for thee; air, earth, and skies;
There's not a breathing of the common wind
That will forget thee; thou hast great allies;
Thy friends are exultations, agonies,
And love, and man's unconquerable mind."
James began writing The Black Jacobins in 1932 when he was living in Nelson in Lancashire and working as a cricket correspondent for the Manchester Guardian. It was published in 1938, just before he went to the United States.
What stands out in The Black Jacobins is James' command of the contemporary sources. He spent six months in France delving into the archives, including the correspondence between the French revolutionary government and Toussaint L'Ouverture, the ex-slave who led the Africans on the plantations to freedom and became the first consul of these black Jacobins.
San Domingo in the 1790's was a fascinating society. James manages to integrate the interlinking three-sided struggles that shaped the Haitian Revolution: in San Domingo itself, between the whites, the mixed-race "free people of colour" and the black slaves and between the "big white" planters and merchants, the "small white" artisans and the aristocratic colonial bureaucracy that ruled over both; in France similarly, between the King and his ministers, the republican bourgeoisie and the revolutionary sans culottes and between the Left, Right and Centre in the Constituent Assembly; internationally between Britain, France and Spain who each sought control of the island and between the royalist aristocracy and republican bourgeoise in France and the San Domingo colonists who - like the American colonists of Britain - wanted independence from France to escape the exclusive trade imposed on them by the former and the debts they owed to the latter.
Toussaint L'Ouverture died in prison in France in 1803, having been captured by a Napoleonic army that tried and failed to re-establish slavery in San Domingo. William Wordsworth, an early sympathiser of the French Revolution, wrote these lines in his poem To Toussaint L'Ouverture:
"Toussaint, the most unhappy of men!
Whether the whistling Rustic tend his plough
Within thy hearing, or thy head be now
Pillowed in some deep dungeon's earless den; -
O miserable Chieftain! where and when
Wilt thou find patience? Yet die not; do thou
Wear rather in thy bonds a cheerful brow:
Though fallen thyself, never to rise again,
Live, and take comfort. Thou hast left behind
Powers that will work for thee; air, earth, and skies;
There's not a breathing of the common wind
That will forget thee; thou hast great allies;
Thy friends are exultations, agonies,
And love, and man's unconquerable mind."

Monday, 23 July 2012
Dreyfus, de Dion and the Tour de France
I watched the final stage of the Tour de France yesterday afternoon.
I don't really follow cycling and haven't watched any of the other stages. I watched mainly because it promised to be a bit of sports history, an Englishman winning the world's most famous cycling race for the first time. Bradley Wiggins is also a Mod and indie fan who lives in the North West and trains in the hills of Lancashire and at Manchester velodrome.
Reading up on the history of the Tour de France, I found this article about how it began in 1903 as a result of the Dreyfus Affair, the imprisonment of a Jewish army officer for espionage that divided France and increased anti-semitism and nationalism on one side and radicalism and anti-clericalism on the other. The car manufacturer Jules-Albert de Dion, an anti-Dreyfusard, joined other industrialists outraged at the pro-Dreyfus stance of France's leading sports newspaper Le Vélo in setting up a rival publication, now L'Équipe, which sponsored the first race.
The final stage of the Tour goes through some rather pretty countryside. I've been to France but not Paris. If the aerial shots of the gardens at Versailles are anything to go by, they'd be top of my list of places to see if I'm ever there.
I went for a walk after the race had ended. Maybe it was my imagination but there seemed to be a lot of middle-aged men on bikes out on the roads...
I don't really follow cycling and haven't watched any of the other stages. I watched mainly because it promised to be a bit of sports history, an Englishman winning the world's most famous cycling race for the first time. Bradley Wiggins is also a Mod and indie fan who lives in the North West and trains in the hills of Lancashire and at Manchester velodrome.
Reading up on the history of the Tour de France, I found this article about how it began in 1903 as a result of the Dreyfus Affair, the imprisonment of a Jewish army officer for espionage that divided France and increased anti-semitism and nationalism on one side and radicalism and anti-clericalism on the other. The car manufacturer Jules-Albert de Dion, an anti-Dreyfusard, joined other industrialists outraged at the pro-Dreyfus stance of France's leading sports newspaper Le Vélo in setting up a rival publication, now L'Équipe, which sponsored the first race.
The final stage of the Tour goes through some rather pretty countryside. I've been to France but not Paris. If the aerial shots of the gardens at Versailles are anything to go by, they'd be top of my list of places to see if I'm ever there.
I went for a walk after the race had ended. Maybe it was my imagination but there seemed to be a lot of middle-aged men on bikes out on the roads...
Tuesday, 20 September 2011
Le binge drinking
According to today's news, France now has a problem with teenage drinking.
I'm not denying the social and health implications but at least British teenagers won't now be lectured about how while they're sneaking into pubs for underage pints or necking cheap cider in the park their ever so sophisticated counterparts across the Channel are sipping a glass of watered wine over a sumptious meal en famille.
I never bought the line that heavy drinking was unknown among French youth and if it is less common they've been missing out on the essential teenage rite of getting half-cut with your mates.
I'm not denying the social and health implications but at least British teenagers won't now be lectured about how while they're sneaking into pubs for underage pints or necking cheap cider in the park their ever so sophisticated counterparts across the Channel are sipping a glass of watered wine over a sumptious meal en famille.
I never bought the line that heavy drinking was unknown among French youth and if it is less common they've been missing out on the essential teenage rite of getting half-cut with your mates.
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