I went to the Castle in Macclesfield yesterday afternoon, which had been voted best pub of Mild Magic, the annual sticker trail organised by my local CAMRA branch, Stockport and South Manchester, and extended to the former Cheshire silk town for the first time this year. The owner of the Black Country brewery Sarah Hughes was also there to pick up the best mild award for their 6% beer Dark Ruby.
I haven't been to the Castle for a decade, since when it's shut, changed hands and been refurbished. Having the same name, it always brings to my mind the final, unfinished, novel by Franz Kafka, especially as its historic multi room interior mirrors that of the village inn where the young surveyor arrives late on a winter night at the beginning of the book. The dark strong beer we were drinking wouldn't look out of place in Kafka's native Czech land of Bohemia either.
I've only been to the Beacon, the pub in Sedgley where it's brewed, once, back in 2012, but that too is something of a time capsule, especially the front room on the right where I sat, which is essentially unchanged since the twenties.
There seem to have been quite a few films about US politics on TV in the last month or so, mostly on specialist channels Film Four and Talking Pictures TV, but also on BBC Four (as part of an evening marking the fiftieth anniversary of Richard Nixon's resignation as President). November's upcoming presidential election has no doubt influenced the programme schedulers in selecting some of these films too. It prompted me to make a list of my own top ten films about mainstream US politics, the left and labour movement.
Advise and Consent
A congressional hearing to confirm a liberal President's nominee for high office is enlivened by Charles Laughton, in his final screen appearance, as a conservative Southern Democrat digging into his past.
All the King's Men
The main character, Willie Stark, is a loosely disguised portrait of Louisiana Democratic governor Huey Long, a populist demagogue whose authoritarian rule leads to his assassination (for US sports fans, there are also some college football scenes involving his son).
All the President's Men
Probably my favourite of all, Dustin Hoffman and Robert Redford play Washington Post reporters Carl Bernstein and Bob Woodward investigating the break-in at the Democratic National Committee headquarters in the Watergate building and its cover-up by the White House. Jason Robards steals every scene he's in as Post editor Ben Bradlee.
The Best Man
With a screenplay by Gore Vidal, this also concerns skeletons in the past of political candidates, at the open convention of an unnamed party selecting a nominee after the incumbent President decides not to seek re-election on health grounds.
Blue Collar
A gritty tale about racism and union corruption in a Detroit car plant which stars Harvey Keitel, Yaphet Kotto and Richard Pryor, and also has a superb blues soundtrack.
Hoffa
Jack Nicholson as the charismatic Mafia-connected boss of the Teamsters truck drivers' union Jimmy Hoffa and Danny DeVito as his loyal lieutenant (I once drove past the American football stadium in New Jersey beneath which Hoffa's body was allegedly buried after he fell out with the Mob and was whacked by hitman, and probably my distant relation, Frank "The Irishman" Sheeran).
The Last Hurrah
A comedy in which Spencer Tracy plays the Irish-American boss of a Democratic political machine in a Northern city whose power is based on dispensing patronage through an army of ward heelers.
Matewan
John Sayles' masterful account of a miners' strike in West Virginia, with Chris Cooper as the union organiser who overcomes ethnic divisions between the workers and those brought in by the coal company to break their strike.
Mr. Smith Goes to Washington
A slightly saccharine, but still entertaining, film by director Frank Capra, with James Stewart playing a naive youth leader unexpectedly chosen to replace one of his state's senators, and ending with the famous filibuster scene in which his faith in American democracy is restored.
Reds
A personal project by Warren Beatty based on John Reed's book Ten Days That Shook the World about the Russian Revolution, and featuring interviews with pre-World War I US radicals (also the film whose late night showing on BBC Two in 1997 was interrupted by a news flash saying that Princess Diana had been injured in a car crash in Paris).
